Resistance to film's title - CLOSURE

This last 4th of July weekend, Angela and I trekked 14 hours by car down to Lake Tahoe, CA, to screen Closure at the annual PACT camp.  We were thrilled at the invitation to screen, and blessed by all of the caring transracial adoptive families that we met.  Like our trip to the Heritage Camp in June, we were inspired by the level of commitment from the parents, as they eagerly strive to better understand what it means to be a transracial family and how to raise their children in this racially divisive country.  The setting was beautiful, combined with a packed schedule of brilliant keynote speakers and workshops for the adults, engaging talk and play for the children - the overall experience was truly a pleasure for us. 

We screened Closure twice in our three days at PACT, with overwhelmingly positive responses and standing ovations each time.  In the Q&A after the first screening we were met with strong resistance from a few adult adoptees, voicing their deep concerns over the title; CLOSURE, and how the title was triggering to them. They speculated that other adoptees who haven’t experienced a sense of closure in their own story might also feel triggered in this way.  A suggestion was made that I alter the title and other parts of the film; as the defense was “This is our story, this story is meant for adoptees.”   I responded that this was not every adoptees story.  Closure is the story of Angela, Deborah, Teresa, and the others who appear in the film. Closure is not intended to be reflective of every adoptee’s story.  As the filmmaker my only allegiance is to those that opened up their lives to me for this story, and trusted me to tell their story as truthfully and honestly as possible, void of exploitation.  Although quite surprised by the statement, I did understand where the comments were coming from.  It comes from the way we all consume film – there seems to be a sort of entitlement we feel after viewing a film, often quick to project our own experiences. I'm thankful for the introspective and educated questions, as I’m sure it took courage to speak out.  However, within the subtext of their questions, some bold assumptions were made:  First, was that the title “Closure” is stating that Angela has in fact gained closure - nowhere in the film was this stated.  The title of the film reflects what many of us hope for in our attempt to mend broken relationships, or pursue answers to questions we’ve had for years.  Angela's search was for what she thought would bring closure (meeting her birth mother), but she learned it has actually created more questions.  With that said, it’s hard for me to personally watch the film and not see the other “characters” experience a sense of closure in their lives as well.     

In all honestly, I never expected the title to receive so much attention and response.  In each of the seven Q&A’s we’ve had since April, Angela has been asked “Do you have closure?”  With each screening I realize more and more how people will watch Closure and reflect on it in a deeply personal way.  With that reflection, the title may bring up something positive, or trigger something negatively inside them.  As the filmmaker, I’m gaining an understand that I can’t control how the film makes people feel – I had set out to merely tell the story truthfully.  When given the choice between a title that is soon forgotten, and one that elicits a response from the viewer – I will gladly choose the latter. 

 

Adoptive Family Heritage Camp

Guest Post By: Angela Tucker    

This weekend Closure screened on the campus of Colorado Heights University near Denver during the African Caribbean Heritage Camp, which attracts trans-racial families from all over the United States.

I sat in the very back of the theater during the screening, briefly glancing up to watch and relive parts of the documentary, but largely I texted my mom and a friend the whole time. If i was paying attention, I undoubtedly would've heard sniffles and saw people quietly digging in their purses for Kleenex. Instead, I sat oblivious to the mounting emotions, successfully distracting myself by texting others and questioning the possible impact. I wondered if the adoptive parents were simply enjoying some downtime and using the film to have an hour and a half of R&R away from their children. I wondered if some parents would walk out of the film early, preferring to watch their child engage in an African dance class for the first time, or participate in learning how to make Chapati. It's sufficient to say that I was blindsided by the magnitude of emotion to come.

During the closing credits, I quietly made my way to the front of the theater, preparing to address the audience for a (what I thought would be short) Q & A. Bryan and I stood up together while hearing the audience clapping. I became momentarily stunted with shock as I looked up to see the entire audience on their feet clapping and wiping the tears from their eyes. The questions, comments and remarks that followed were incredibly kind, positive and felt to be a collective "thank you" and "congratulations." I'm beginning to understand that the adoption community is ready to delve in to the topics surrounding race relations, search and reunion, and family. I'm glad that Closure has seemed to offer a raw, visual and emotional storyboard prompt for these necessary conversations.

A few hours later, I participated in an adult adoptee panel which consisted of myself and Rhonda Roorda, an author of three books on transracial adoption, and seasoned keynote speaker. The attendees peppered us with meaningful questions on topics that would be directly impactful to the lives of their children. I was encouraged to hear such thoughtful questions, as it is so evident that the adoptive parents understand their role, white privilege, and genuinely want what's best for their minority children. I am proud to offer a perspective for these beautiful families as they navigate the world as a trans-racial family.

If you are interested in attending this wonderful camp next summer in Denver, you can find more info on their website.   

San Francisco Documentary Film Festival

I was born in San Francisco and raised in the North Bay Area, before moving up to Seattle in 2004 for college.  So to bring CLOSURE back to SF was a huge honor for me.  We flew down to attend the screening on 6/8 at the Roxie Theater in the Mission District, which I was told is San Francisco's oldest continually operating movie theater.  The audience response was overwhelmingly positive, and it was especially touching for me to speak with many people afterwards and hear of how CLOSURE had moved them.  Many thanks to all who came out, and if you know anyone in SF who may like to see it, CLOSURE will be screening on 6/13 in SF and 6/22 in Santa Cruz.  Enjoy these photos, which were taken by Chelsea Peck (of Mr. & Mrs. Something, who did the original music for the film).

We made our goal on Kickstarter!

Well, the $11,875 we set out to raise has been MADE with 10 days still left in the campaign! It wouldn’t have been possible without your generosity, and your persistence in sharing this story with your friends/family and on social media. Raising this amount allows us to pay for all the costs associated with finishing the film, and getting it ready for distribution.
 
I want to encourage you to continue to spread the word with others while this campaign is still live. We’ve come up with a “stretch goal” of $15K. The stretch goal does not change or replace the original goal in any way, it's just a way of letting everyone know we're continuing to raise more money to help get the film out there. With this extra $3,125, we would have flexibility to engage digital aggregators and distribution consultants to help get CLOSURE into more mainstream viewing audiences, such as Netflix, Hulu and iTunes.

I’m also a believer that movies exist to be watched within community. This especially stands true for CLOSURE, as it has so much to offer for post-viewing discussions. That is why any funds raised over $15K will go towards scheduling more screenings in regions where there is demand. Thank you all for your support!